Posted inMusic Orquesta Sinfónica de Minería brought new music and new life to Hill Auditorium by Jack Moeser November 16, 2023November 16, 2023
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Posted inMusic Amigo the Devil reveals the chaotic side of Southern Gothic at St. Andrew’s by Mivick Smith November 11, 2023November 11, 2023
Posted inMusic ‘1989 (Taylor’s Version)’ faithfully rebuilds Swift’s pop grandeur by Oscar Nollette-Patulski November 11, 2023November 11, 2023
Posted inMusic On his newest mixtape, Brent Faiyaz’s chauvinism is ‘Larger Than Life’ by Zachary Taglia November 9, 2023November 9, 2023
Posted inMusic CMAT does what she wants on ‘Crazymad, For Me’ — and it works by Nina Smith November 6, 2023November 7, 2023
Posted inMusic Is Jimmy Buffett yacht rock? A look into genre classification by Nickolas Holcomb November 3, 2023November 3, 2023
Posted inMusic Green Day posits pop punk is undead on ‘The American Dream is Killing Me’ by Saarthak Johri November 1, 2023November 1, 2023
Posted inMusic ‘The Hills’ are alive in Rachel Chinouriri’s cinematic new single by Oscar Nollette-Patulski October 27, 2023October 29, 2023
Posted inMusic How Bad Bunny both dominates and transcends reggaeton by Joshua Medintz October 27, 2023October 27, 2023
