“When the Party’s Over” is the latest single by teen pop sensation Billie Eilish, whose remarkable voice and immaculate production (on the part of her brother Finneas) have catapulted her to international fame in the space of a year.

“When the Party’s Over” is an exercise in both artful restraint and the clever use of structure and harmony to support a lyrical theme. Billie’s melody slowly gains a high center of gravity, before tumbling in an elegant downwards spiral towards the chorus. Her voice is hesitant and hushed, the words she is saying are often indistinct — the listener, without thinking about it, leans in closely to hear. The instrumentation is sparse, consisting solely of a swelling bed of manipulated vocals, tasteful piano accents and a simple bass line. Billie has sometimes had a problem with awkward lyrics, but she manages to avoid that particular pitfall on “When the Party’s Over,” finding deeper meaning about shared aloneness through simplicity. The only line I don’t love is “I’ll only hurt you if you let me,” as it’s a little too redolent of that “revenge love” theme that got beaten to death about a year ago. The harmonic progression, combined with the loneliness of the lyrics and instrumentation, imparts a rhetorical effect of having been let down — solitary but not sad, isolated but not depressed.

“When the Party’s Over” is a statement by Billie: She is to be taken seriously. She stands largely on her own merits in this song. There is no ornamental production, just the song itself.

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