With “Homecoming,” Esmail solidifies himself as one of the best directors working in television. His style here projects a kind of refined paranoia, evoking Hitchcock in hypnotic staircase shots, trippy zooms and spectacular long takes.
In a recent phone interview with The Daily, Foote discussed his positive undergraduate experience at the University, the perks of being a regular player on a network show and the differences between acting onscreen and acting onstage.
I’ll admit, I’m a sucker for stylish British-political-conspiracy thrillers. From Bond to BBC’s adaptation of John le Carré’s “The Night Manager,” even the most over-the-top and ridiculous plots are polished with those damned accents and impeccably dressed agents.