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CELEBRATING ONE HUNDRED AND TWENTY-FIVE YEARS OF EDITORIAL FREEDOM
It looks like “Crazy Ex-Girlfriend” is poised and ready for another season of finding love and happiness through the worst possible methods.
“Chance” ’s supporting actors do their best with what they’re given, but it isn’t enough to compensate for the bewilderingly slow pace and lack of driving energy.
“Black Mirror” depicts different realities and characters in each episode, but every story connects to one another through their thought-provoking, somewhat cynical perspectives on technology.
Most TV creates the false conception that interpersonal conflict is largely built on a series of dramatic arguments.
If Frances is the kind of character that embodies the gritty storytelling pervasive in TV today, then shows that utilize this type of characterization need to work a lot harder to sustain our attention.
One of the peculiar consequences of streaming television is the implicit assumption of prestige.
“Insecure” proves that issues concerning the Black community, specifically Black women, can still be just as thought-provoking when told through a comedic lens.
“Falling Water” runs the risk of alienation in a premiere so oversaturated with questions that even the audience doesn’t know what’s real and what’s not.
To say “Hamilton” has exploded like no other Broadway show in recent memory might be an understatement.
While ‘B.A.N.’ can’t reach the heights the series reached last week, it’s by far the funniest episode on a scene-by-scene basis.