“Dickinson,” however, refuses to restrict itself to simply retelling the story of Emily’s life. Instead, it commits itself wholeheartedly to the poet’s unconventional style and explores her world of creativity with anachronistic flair.
Twenty years ago, Mike Judge created “Office Space,” the perfect distillation of the nine to five ennui that can sometimes veer into the surreal, all borne out of being trapped in a cubicle for most of the day.
“Bojack Horseman” has been performing a balancing act of the two sides of adulthood for its past five seasons, and now that it’s coming to an end, I can’t help but wonder whether the adult animation industry will ever be able to put out a show as clever, consistent, hopeful and heartbreaking again.
In many ways, Netflix’s “Living with Yourself” is your standard sitcom — Miles Eliot (Paul Rudd, “Avengers: Endgame”) is in his late thirties, his marriage and career tread water as he faces the impending reality of middle age.