The LP epitomizes Son Lux’s electronic sound and encompasses what they hope to achieve in the future.

It’s a funny thing; four years have passed and I’m not sure anymore whether Pedro the Lion’s music is even good.


Is it a metaphor for sex, or did Black Francis’s car just run out of gas? There will never be an answer.

Mick Jenkins

‘The Healing Component’ loses its memorability in Jenkins’ discography, a worrying effect for a debut.


Banks’s voice has truly developed; on The Altar, she explores her boundaries to their fullest potential.

Bon Iver

The best moments of ‘22, A Million’ are when Bon Iver can combine the bluster of their new instruments with the quiet force they previously perfected.

The Killers

There’s a small canon of recent rock songs that continue to be beloved by everybody, but that canon seems to end around 2006.

However hard we try to forget him, Wagner’s musical influence is inexorable.

How To Dress Well

‘Care’ can simultaneously be satisfactory and/or frustratingly unapologetic.

Devendra Banhart

Devendra Banhart’s new album, Ape in Pink Marble, is an easy, luscious ride.