For seventeen years, Bonnaroo Music Festival has established itself as one of the paramount summer festivals in America. Taking place on a massive farm in Tennessee, every year the festival is home to some of the most momentous performances and colorful characters you can find.
When Future is on, he is on, but unfortunately, he is only on for half the EP.
Collaborations gain traction by pushing boundaries and thinking outside the box. It’s obvious that Calexico and Iron & Wine tried their best to foster a creative spark between them. This time, their best wasn’t enough.
Hippo Campus opened Bonnaroo’s Saturday evening sets with an energetic performance that prevailed over the scorching heat.
No one else sounds like him, and he knows it. He leans into his nasally voice and bouncy, seamless flow and finds collaborators who will augment his sound without altering it.
The most notable aspect of the album is the way it holds onto the old while still introducing something new. Instead of trying to brush their old image away and start fresh, the Jonas Brothers gladly revisit their past work, whether it be recreating old YouTube videos or performing their old music at live shows.
The modern music industry is in desperate need of soul.
BROCKHAMPTON took the stage, rocking bright silver jumpsuits in front of a massive golden airplane, sitting in the palms of two big blue hands. A hint at an upcoming album and rebrand?
Heidecker, who is best known as one half of the comedy duo Tim and Eric, tends to combine intensity with humor in his political music. On his recent single “To The Men,” however, he veers straight into quiet solemnity.
Aurora carries the listener on a journey to visit their inner self, exploring the relationship between more “primal” instincts that would mark us a human, and the conditioned behavior of modern society.