Sorry to Bother You

“Sorry to Bother You” satirizes everything from unions and rapping to telemarketing and, of course, white people — it's a comedy goldmine.

French New Wave

If there was any place to start a dive into the French New Wave, any key figure to visit first, it would have to be the spearhead of the cinematic movement — the ever-prolific Francois Truffaut. Truffaut’s name is difficult to avoid wherever the history of cinema is brought up.

On Chesil Beach

I arrived 20 minutes early to the Soho movieplex because I was terrified, terrified that like every other place in Manhattan, it would be unbelievably crowded. Somehow, the Tuesday 10:45 p.m. screening of “On Chesil Beach” was surprisingly unattended.


Considering the well publicized production issues that plagued “Solo” — which saw its original directors Phil Lord and Chris Miller (“The LEGO Movie”) fired due to creative differences midway through production and replaced with Ron Howard (“Rush”) shortly after — having the finished

Andrew Garfield

There is a wonderful eagerness with which Sam — Andrew Garfield (“Breathe”) at a career high — accepts the miraculous nonsense of “Under the Silver Lake.” His refusal to spend more than one perfect facial reaction questioning the bombardment of bizarre is, in large part, why director David Robert


There are Trump-era movies. The sort of wink-wink-nudge-nudge, did-you-notice-that-Make-America-Great-Again-reference movie that tries too hard for its social commentary and relies too heavily on the crutch of cautionary tale. (Your “Fahrenheit 451”s and “Suburbicon”s.)

Deadpool 2

If Deadpool were to watch “Deadpool 2,” he would likely have a number of issues with it. His first might be why the film kills off the impetus for the first film’s entire plot in the first ten minutes. Another would be why a comedy movie has so many scenes devoid of comedy.

Le Beau Serge

The watch list for any academic film course almost always rounds out to something like: a Chaplain comedy, some Technicolor musical, four impenetrable foreign films, two other silent-era juggernauts and Citizen Kane.


With big folks, either people think you look mean or it’s more of a jolly Santa Claus, ‘Oh, he’s just a pudgy little teddy bear pillow.’ —The Notorious B.I.G.

Breaking In

“Breaking In” is not as painful a movie as it has been framed to be. In fact, coming in with modest expectations, viewers will likely find the film not nearly as torturous and dull as described by reviewers.