This movie follows in the footsteps of Studio Ghibli in making the universal adventure of a young lead character relatable to a wide audience.
‘Ave Maria’ doesn’t take itself or its subject matter too seriously, and it’s wonderful.
Each scene purports to tell one major joke, and it deliberately lets its audience in on a small detail and widens the scope until we’re able to get the whole joke.
The plot has wonderful movie-making potential, but that’s one of the few things the film has going for it.
“Zootopia” demonstrates how dangerous stereotyping can be.
Feeling young and alive and independent, singles in hand, we walked into the Bad Boys of Bourbon Street, an all-male strip club.
For nearly every second of this movie, I couldn't believe what I was seeing happen onscreen.
Ergüven does not hold back on the social commentary: the oppression of women, especially young women, and the unfaltering fascination with their purity is at the forefront.
While there should be an effort to improve diversity in cinema today, there was never a moment in “Whiskey Tango Foxtrot” that didn't feel authentic to its inspirations or locations.
Just as the narrative is cyclical, so is the imagery.