Film

NOSELL

This sequel doubles the number of dads and drenches everything in a Christmas veneer to distract the fact that there’s nothing going on underneath.

NOSELL

This review was first published during our coverage of the 2017 Cannes Film Festival. We are re-printing an edited version in honor of the film’s release this past weekend.

NOSELL

Roth’s Vincent is obsessive and passionate, often consuming toxin-rich paint like candy.

NOSELL

What a shame: A visionary artist’s life to be captured by such conventional means.

NOSELL

'Loving Vincent' is the first feature length film to use oil paint animation

NOSELL

It may not be a dramatic masterwork, but from my first viewing of “The Man From U.N.C.L.E.” back in 2015, I knew the film was significant as a tribute to the golden age of on-screen espionage, and all the bravado, style and campiness that came with it.

Given the breadth and complexity of independence movements, it is rather egotistical of films to presume they can deliver a “true story.”

NOSELL

But it’s “Ragnarok”’s ability to function as a suitable ending to Thor’s arc that is its greatest strength.

It doesn’t make sense that the same industry can react to these men in such different ways. What makes Weinstein or Spacey’s case different from Depp or Allen’s?

NOSELL

After two endless hours, it’s hard to figure out what “Suburbicon” is actually about.

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