Christmas comes earlier every year. The day after Halloween, nowadays, plastic trees and twinkle lights fill store shelves, DJs across the world queue up Mariah Carey’s classic Yuletide anthem and Starbucks puts gingerbread in their coffee.
There’s a rule in the writing biz: Don’t kill the dog. It can be a movie about the Holocaust. A book about the Hindenburg. A podcast about The Golden State Killer or a TV show about invasion of anthropophagic aliens.
“Operation Christmas Drop” is basically Pete Buttigieg’s wet dream and Dick Cheney’s marketing campaign, placing somewhere between “Cadet Kelly” and “Captain Marvel” on the ostentatious pro-military-industrial-complex scale.
To say that this past week was stressful is an understatement. I found it difficult to focus on anything, whether it was homework or watching a lecture for more than 30 minutes. But recently I’ve rediscovered something very special: the Charlie Brown holiday specials.
In its 27th year, the Ann Arbor Polish Film Festival has been virtualized as a result of COVID-19. The slate of shorts, feature films and documentaries are streaming on the Michigan Theatre website in lieu of live screenings.
Something about cheesy holiday romantic comedies is so reassuring. Bundled up in a cozy blanket with a mug of hot chocolate, you know that the movie will have a happy ending, and you know that there’s nothing to worry about. It’ll make you laugh and it’ll make you cry.
Sofia Coppola’s “On the Rocks” is a quiet exploration of marriage, family and growth. It follows Laura (Rashida Jones, “Parks and Recreation”), a woman who suspects that her husband, Dean (Marlon Wayans, “White Chicks”), is cheating on her.