"White Boy Rick"

“Rick” doesn’t try to do enough for the audience.

"Madeline's Madeline"

Decker’s depiction of high art is imbued with an intense, borderline-violent level of religious zeal.

Ben Mendelsohn

“The Land of Steady Habits” never reaches a climax and remains a flat telling of rich white people and their problems.

Alessandro Borghi in "On My Skin"

Through the judicial system, power is granted to a select few in hopes that they will uphold the law and use their authority to protect and defend the greater good. This ideal, however, often doesn't translate to reality.

"Three Identical Strangers"

What seems like a happily-ever-after type of tale twists itself into a dark nightmarish saga of deception, experimentation and loss as the nature of the triplets’ adoption becomes more clear.

Shannon Purser in 'Sierra Burgess'

With “Sierra Burgess is a Loser” it’s clear that Netflix has adopted an everything-and-the-kitchen-sink mentality when it comes to their original release slate.

'The Most Assassinated Woman'

Had “Most Assassinated” leaned further into the guts and gore on-stage, the film could have been spun into a compelling thriller or horror flick.

Michigan players leave the field after losing to Notre Dame

College sports, to the vast majority of people who watch them, are nothing more than entertainment.

"The Wife"

Even in the sequences where dialogue is lacking, Glenn Close’s phenomenal acting chops make it near impossible to tear our eyes from the screen.

"The Nun"

More importantly, for all the fun it is in the moment, the movie misses out on what attracted people to the Nun and the “Conjuring” universe as a whole in the first place.