Community Culture

As an activist, educator and thinker whose work explores and promotes the experience of black women, Tutu’s lecture will be an important entry into Ann Arbor’s discussion of race, gender, and activism.

I learned how to teach myself how to teach myself.

“It’s a really cool collaboration, and it shows how not only does each part possess their own individual talent, but actually how we collaborate as a school.”

His posters contain more than bright colors and cools shapes; they encompass passion, joy, urgency and power.

Boulez’s complex compositions and pointed polemics served him well in his youth, but as he grew as a musician, the tone of his philippics began to soften, and he began to contribute in different ways to the musical discourse.

Unlike the other boys who ask their dads how to shop for women, he’s known all along.

“We’re not just doing this to be like, ‘Hey it’s fun to play with swords,’ but show that, when you are violent towards people, there are consequences to relationships that were once awesome and then fail.”

With a cast of fifteen musical theatre students, a five-piece orchestra and strong technical design, this production will, as Hill puts it, “feel like a full meal.”

Every year, Ann Arbor residents comes to Hill Auditorium to witness Handel’s “Messiah.”

“We’re trying to make the play more humane. It’s about the human relationships,” Rouverol said. “We see what this vicarious world allows these people to become.”