The other day I was cursorily perusing my housemate’s New York Times, and, amidst the portents of apocalypse, I came across an agitated letter to the editor in the book review.
Emily Yang
Daily Arts Writer
Books
“The Authenticity Project” gets its title from a notebook a lonely old man leaves behind. As he searches for authenticity in a world full of lies, he begins by writing his own truth in the pages of a notebook.
Chills.
Chills flowed through me before, during and after reading Jessica Care Moore’s book of poetry “We Want Our Bodies Back.”
Populated sparsely by cowboys and robbers, American folklore recounts the West as a lawless outer bound, tantalizingly wild, wide and undiscovered.
In “A Citizen’s Guide to Beating Donald Trump,” David Plouffe offers succinct tips for the energized civilian to help their favored candidate ascend the White House steps. Each chapter gives insight into the general campaign process.
Identical twins are one of nature’s most fascinating wonders. Two offspring, born of the same pregnancy, who look exactly alike; one can’t help but compare one sibling to the other.
What scares us the most is what we remember. The moments in which we felt frightened, hesitant and uneasy are the moments that stick out to us, the events we remember years after the fact. It is what makes us uncomfortable that leaves a lasting mark.
About a third of the way through Jenny Offill’s second novel, “Dept.
It is notable that not every piece of literature or media by and about women is feminist.
In her collection of short stories, “Look How Happy I’m Making You,” Polly Rosenwaike captures the experience of motherhood from all angles.