In the past, artists could hide behind the shield of a stage-name, a wig or an eye-catching outfit. However, in the digital age it is becoming more and more difficult for anyone –– celebrity or regular Joe –– to maintain privacy.
“Roma” is verbally a nostalgia piece (Cuarón told IndieWire that “90 percent of the scenes” came straight from his memory). The filmmaker leans on what he knows and what he can recall, bringing the events of his childhood to life in crisp, clean, digitally captured black and white.
I’ve spent an embarrassingly long time looking at websites that ranked the best college libraries. The Michigan Law Library appeared every time, and I added an asterisk beside the University to signal its edge.
Nostalgia as a raw emotion is something powerful, but when crafted into a story and weaved throughout other feelings, it becomes a tool for connection and understanding. Instead of simply being a means of entertainment, it becomes a piece of art.
“HIS MOM IS TOO THICK FOR A WHITE WOMAN!” Baked yelled. “HAVE YOU SEEN ME?” Buzzed replied. I shoved another handful of popcorn into my mouth, wondering what the feminist implications of cartoon body image could be. This remained unanalyzed, but we all agreed that the sister was, ahem, “a c*nt.”