Posted inArts A little treat for an Ann Arbor college student by Kaya Ginsky, Erin Evans, Allison Wei and Saarthak Johri September 5, 2023September 14, 2023
Posted inMusic ‘You Are Who You Hang Out With’ and ‘LOVE + POP’ evoke evolving intimacies in antithetical experimentation by Saarthak Johri August 31, 2023August 31, 2023
Posted inFilm Two writers talk about why ‘Talk to Me’ is disturbing both beyond and because of the dead by Saarthak Johri and Max Newman August 15, 2023August 15, 2023
Posted inDigital Culture ‘Pikmin 4’ exchanges efficiency for accessibility by Saarthak Johri August 11, 2023August 11, 2023
Posted inB-Side ‘The Fabelmans’ on a flight with and to my family by Saarthak Johri August 9, 2023August 9, 2023
Posted inFilm Maybe ‘Asteroid City’ wasn’t meant for the theaters, or to be understood by Saarthak Johri July 21, 2023July 23, 2023
Posted inFilm ‘Mission: Impossible – Dead Reckoning Part One’ challenges whether we should choose to accept the future of action films, art and existence by Saarthak Johri July 20, 2023July 20, 2023
Posted inDigital Culture ‘The Legend of Zelda: Tears of the Kingdom’ is Nintendo’s flawed magnum opus by Jack Moeser, Saarthak Johri and Zach Loveall July 19, 2023July 19, 2023
