At most parties, you can either feel lost or lose yourself.
Depending on the atmosphere and location, a party — more specifically, a college party — is the space for young people to dance, talk, drink, smoke, laugh, make out and interact with strangers and friends.
A party can be an unnerving experience, even a mediocre one at that. The place may be too crowded or too empty, the music may be wack, or it just might not be your night.
'Freetown Sound' is to Hynes what Lemonade is to Beyoncé, To Pimp a Butterfly is to Kendrick Lamar, and Black Messiah is to D’Angelo.
Other than small glimmers of hope, “Roadies” isn’t a drastic improvement to Crowe’s recent canon of mixed-to-negatively reviewed work.
By humanizing these women as victims of circumstance rather than simple criminals, “OITNB” brings a nuanced perspective to the criminal justice system, which continues to be showcased in its fantastic fourth season.
“Casual” makes it hard for these characters to live happy, functional lives, but ultimately satisfies.
"Feed the Best" bounces around thematically and tonally, juggling between a mediocre crime subplot, a character study on grief and loss and a food-centric story about the cut-throat environment of high-class cooking.
In the past few months, female-driven pop has been on a winning streak. While there were a few duds (like Meghan Trainor’s dull sophomore record Thank You), 2016 has been graced with the presence of several pop gems from female artists. Australian songstress Sia continued her burgeoning notoriety with the powerful This is Acting while Gwen Stefani returned to the music scene with her impressive comeback This is What the Truth Feels Like.
In addition to being the band’s most chaotic and harshest record to date, Bottomless Pit lacks the captivating hooks, hard-hitting lyrics, cohesive thread and gravity-defying heights of their previous efforts.
“Time Traveling Bong” is as kooky and silly as you would expect
While appreciating a simpler time on American television, ‘Junk’ also focuses on darker themes of existentialism and mortality.