“Love” has become more than just a commentary about contemporary dating and modern relationships.
As I walked toward the Greenwood block party last September, just as it seemed like it was about over, a familiar sound caught my ear. Amid the echoes of jubilant laughter and delirious chatter, I heard the unmistakable opening notes of “Mr. Brightside,” the debut single from Las Vegas quartet The Killers. The cluster of students streaming out of the neighborhood belted every single lyric, word for word, in nearly immaculate unison. It was mesmerizing, to say the least, though not unexpected.
Every sentence, every careful observation from Charlie, oozes with an unbridled adolescent angst that’s devastatingly honest in one moment, honestly devastating in the next.
Part of what makes the HBO adaptation of ‘2 Dope Queens’ so successful is how much spirit Williams and Robinson fill within an hour.
Here’s a piping hot take: British sitcoms are funnier and far more refined than American sitcoms. Just hear me out.
While the first season was focused more on the lifestyles of New York City potheads, the second season explores the role of weed as a coping mechanism in the Trump era.
The music used in these dark comedies illuminates the humanity of the ostensibly irredeemable protagonists, each of whom are, coincidentally, guilty.
The most refreshing aspect of “Lovesick,” and especially with this season, is that the subject matter is so utterly real and unapologetically honest. Underneath all of its whip-smart dialogue and zany cringe comedy, there is such heart within each character and their relationships to one another.
If we want to keep engaging in the way we already do on the Internet, we must work to maintain it as such, whether through online outreach, protests or dialogue.
For Nola Darling, the only way to navigate through the scary, intimidating male-dominated world is by finding the beauty in it.