Posted inArts, Film ‘Yesterday’ and the necessity of self-deprecating humor by Julianna Morano July 2, 2019April 20, 2021
Posted inArts, Film ‘Rocketman’: How to tell a rockstar’s story, properly by Julianna Morano June 5, 2019April 20, 2021
Posted inArts, Film ‘Amazing Grace’: A frame of reverence by Julianna Morano April 21, 2019April 20, 2021
Posted inArts, Film ‘The Public’: Three strikes and you’re out, Emilio Estevez by Julianna Morano April 14, 2019April 20, 2021
Posted inArts, Film ‘Pet Sematary’: Always intriguing, never riveting by Julianna Morano April 11, 2019April 20, 2021
Posted inArts, Film The Ann Arbor Film Festival: For ‘Films in Competition 9: Animation,’ weird is not the right word by Julianna Morano March 31, 2019April 20, 2021
Posted inColumns, Viewpoints Op-ed: Recognizing the realities of the false shooter alert by Julianna Morano March 28, 2019April 20, 2021
Posted inArts, B-Side Unnecessary antitheses: Fresh perspectives on what makes a work of art ‘real’ by Julianna Morano March 27, 2019April 20, 2021
Posted inArts, Books The ‘easy, unconscious grace’ of fiction writer Dorene O’Brien by Julianna Morano March 20, 2019April 20, 2021
Posted inArts, Film The courage of memoir in ‘Weekends’ by Julianna Morano March 18, 2019April 20, 2021