Posted inArts, Film ‘The Night Comes for Us’ is a glorious gore-fest by Stephen Satarino October 21, 2018April 20, 2021
Posted inArts, Film “Y Tu Mamá También” and the characterization of place by Stephen Satarino October 8, 2018April 20, 2021
Posted inArts, Film Paulie Bleeker, affectionate introvert and unexpected father figure by Stephen Satarino October 1, 2018April 20, 2021
Posted inArts, Film Riding the New Wave: A conclusion by Stephen Satarino September 25, 2018April 20, 2021
Posted inArts, Film ‘White Boy Rick’ doesn’t live up to the hype (and I’m mad about it) by Stephen Satarino September 17, 2018April 20, 2021
Posted inArts, B-Side The power of absurdism in ‘Sorry to Bother You’ by Stephen Satarino September 12, 2018April 20, 2021
Posted inArts, Film ‘The Most Assassinated Woman in the World’ fails as a dull murder mystery rehash by Stephen Satarino September 11, 2018April 20, 2021
Posted inArts, Film Riding the New Wave: The most composed new wave film by Stephen Satarino August 1, 2018April 20, 2021
Posted inArts, Film Riding the New Wave: A dip into the Left Bank by Stephen Satarino July 25, 2018April 20, 2021
