Director Wes Anderson, an underground favorite since the 1996 release of “Bottle Rocket,” gained a rabid mainstream following from the success of 1999’s “Rushmore” and 2001’s “The Royal Tenenbaums.” Dedicated adherents to the cult of Wes will readily leap to the defense of his excessively gauche films the way a David Lynch fan will defend […]
Author Archives: IAN DICKINSON
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Dead On
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