BY NICK BOYD
Joey Bada$$ must’ve known the LSA career fair was coming up, because he released his latest single, “Get Paid,” just in time for the event.
BY KENNETH SELANDER
Even from the start of the music video, it’s clear that the computer-generated animations and effects of “It Girl” allow for fantastical outside-of-the-box thinking that makes this production well worth five minutes of your time.
BY GREGORY HICKS
It spits a little more fire relative to Lady A’s conventional delicateness, but it’s far from the proclaimed gutsiness. Not exactly an Eric Church record.
BY ADAM THEISEN
I want to talk about the greatest use of music in a TV show that I have ever seen. When Carmela Soprano (Edie Falco) puts on “American Girl,” the ’70s Classic Rock Radio staple by Tom Petty and the Heartbreakers, for her husband Tony.
BY GIBSON JOHNS
Does she genuinely have everything it takes to be a convincing global superstar? The answer may still be unclear.
BY ARIANA ASSAF
At Forever Fest, in the delightful fashion of music festivals, I dipped my toes into the musical streams of different artists I probably wouldn’t have had much regard for otherwise. And, yes, I absolutely lost my shit when Flux put on Skrillex’s “Recess.”
BY CAROLYN DARR
The set will feature Ramos on the mandolin, guitar and violin, Hepler singing and Howard Alden, a jazz guitarist from New York, on guitar and banjo.
He's made guitars for Eric Clapton, Sonic Youth, the Byrds and Jerry Garcia, hung out with Bob Dylan, Joni Mitchell, Iggy Pop and Jimi Hendrix and lived near the center of Ann Arbor's once-blossoming countercultural music scene. He's also one of the country's best instrument maker and he lives right around the corner.
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