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Wednesday, April 23, 2014

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Fine arts

Modern ballet master Preljocaj to electrify Power Center

BY GILLIAN JAKAB

One of modern ballet’s masters, Angelin Preljocaj, the artistic director of Ballet Preljocaj, will bring his company to the Power Center this weekend as part of UMS’s fall season.

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Notebook: Morticia and Gomez Addams for best couple on the silver screen

BY REBECCA GODWIN

So you can keep your Scarlett O’Haras and Rhett Butlers, your Sandys and Dannys. Gomez and Morticia will always be the best film couple.

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'Manganiyar' to enliven traditional Indian atmosphere

BY LENA FINKEL

“The Manganiyar Seduction” hopes to transport audience members into a place where the traditional tunes of the Indian musicians, the Manganiars, meet the bright visuals of Amsterdam’s red light district.

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Cartoonist Liza Donnelly to draw on feminist experience at lecture series

BY MAX RADWIN

Beyond the obscure references that subscript a political panel, or the weird little doodles that appear on the corner of pages in The New Yorker, Liza Donnelly recognizes the cartoon’s cultural relevance and longevity.

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Anna Sadovskaya: Speaking the language of bilingual difficulties

BY ANNA SADOVSKAYA

Speaking a new language, however, is difficult. It’s an increasingly frustrating relationship between your mind, your tongue and your memory. Too afraid to make a mistake and say something stupid, most opt out of saying anything.

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Notebook: Graffiti artist Banksy masked by mystique and commentary

Bankskyny.com

BY REBECCA GODWIN

Until his stunt in Central Park, I had never heard of Banksy. I had seen some prints of his artwork (most memorable being a copy of his lesbian Queen Victoria print on a flyer in a dorm bathroom last year), but I never knew who the man behind the spray can was.

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Ann Arbor Civic Theatre to tackle daunting 'Lear' challenge

A2CT

BY GRACE PROSNIEWSKI

Intimidating as “Lear” may seem, the Ann Arbor Civic Theatre is ready to perform it in all its moral complexities, with a cast of 11 actors playing all the characters in the ensemble-driven production.

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