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arts

Tuesday, May 28, 2013

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Fine arts

Anna Sadovskaya: The challenges of fashion

BY ANNA SADOVSKAYA

I’m not one to speak. I wear denim blazers and maroon leggings and I think the last time I wore jeans was my senior year of high school. But I speak anyway. I’ve talked about people’s shoe choices, their love of chambray and how ugly neon orange is.

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Life and death to be questioned in production of 'Wit'

BY PAIGE PFLEGER

“Wit,” picked by director and LSA senior Billy Jackson, portrays an extremely powerful plot, dealing with serious themes of life and death, and how the importance of a person’s life is measured posthumously.

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New York Philharmonic to return to Ann Arbor with two Hill performances

BY TEHREEM SAJJAD

With a track record of over 15,000 concerts in 430 cities, 63 countries and five continents, New York Philharmonic is returning this year to Ann Arbor to deliver two enthralling orchestra performances.

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'The Hothouse' to explore human interactions

BY PAIGE PFLEGER

“The Hothouse” develops a clue-like game of whodunit. After an alleged murder and rape takes place in the sanatorium, the characters scramble humorously to find the culprit.

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Propeller Theater Company to modernize Shakespeare

BY GRACE PROSNIEWSKI

Propeller, an all-male Shakespeare company, strives to vigorously engage and explore the relationship between text and performance. There is a strong narrative structure within Shakespearean plays that gives them an energy and rhythm.

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Anna Sadovskaya: Texting indecision mitigated by smileys

BY ANNA SADOVSKAYA

Sloppy middle-of-the-night texts aside, the textually active world faces multiple communication problems. Trying to be sarcastic? No one will get it. Want to sound aloof? It’s going to sound angry. What’s the point of taking 15 minutes to create a beautiful, well-worded reply if the intended affect won’t take hold of the recipient?

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Notebook: The controlled reality of fear

HBO

BY TEHREEM SAJJAD

Fear is a feeling; it's not something tangible, yet when we experience it, it seems so real — so concrete. It's a very powerful emotion, and when we consider it, darkness, death, the night, sadness (and, perhaps, crows?) come to mind.

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