BY TEHREEM SAJJAD
“Moonglow” ’s plot is a very concise one, but it doesn’t preach nor make judgment about the final phase of life. Rather, it presents a very somber issue with a humorous and romantic twist.
BY GILLIAN JAKAB
Milena Westarb’s play “The Loving Demise of Lord Blackwell and His Wife” got its first taste of life at “Playfest” 2013, an annual festival of theatrically staged readings produced by the students in School of Music, Theatre & Dance Professor E.J. Westlake’s playwriting and production course.
BY KATHLEEN DAVIS
Giovanni’s latest collection, “Chasing Utopia,” is a more lighthearted reflection on younger days and a positive outlook on growing older.
BY GILLIAN JAKAB
One of modern ballet’s masters, Angelin Preljocaj, the artistic director of Ballet Preljocaj, will bring his company to the Power Center this weekend as part of UMS’s fall season.
BY REBECCA GODWIN
So you can keep your Scarlett O’Haras and Rhett Butlers, your Sandys and Dannys. Gomez and Morticia will always be the best film couple.
BY LENA FINKEL
“The Manganiyar Seduction” hopes to transport audience members into a place where the traditional tunes of the Indian musicians, the Manganiars, meet the bright visuals of Amsterdam’s red light district.
BY MAX RADWIN
Beyond the obscure references that subscript a political panel, or the weird little doodles that appear on the corner of pages in The New Yorker, Liza Donnelly recognizes the cartoon’s cultural relevance and longevity.
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