BY REBECCA GODWIN
“Dead Man Walking,” an opera created by Jake Heggie and Tony-Award-winning playwright Terrence McNally, is not your typical opera. This show, put on by the School of Music, Theatre & Dance, was powerful, moving and far beyond the expectations of a skeptical college student.
BY GILLIAN JAKAB
Perhaps no one is more responsible for the ascendency of comics than Françoise Mouly, Art Editor of The New Yorker. Mouly brought comics from the fringe underground of basement bookstores to the haute-couture of The New Yorker covers and museum retrospectives.
BY COSMO PAPPAS
Maristain’s biography is a welcome and enjoyable salve to any inclination to write out the life of an author, as if writers in writing forgot to live or only did so by accident.
BY COSMO PAPPAS
Ikeda, who was born in Japan and now resides and works primarily out of Paris, is a world-renowned visual artist and electronic composer who has exhibited work and put up installations in many major metropolitan areas.
BY KATHLEEN DAVIS
While we’ve advanced technology and medicine for the benefit of women, Eig’s story reminds us of the need to appreciate and carry forth the fiery passion women like Margaret Sanger had for the cause.
BY ALEX BERNARD
Reading doesn’t have to be a chore though. It can be fun, like jet-skiing with Hillary Clinton or bungee-jumping from the St. Louis Arch. Or sleeping.
BY CAROLINE FILIPS
This is the RC’s first performance of “Rocky Horror,” and LSA sophomore Katrina Hamann's directorial debut with the shadow-casted rendition of the show.
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